The bottom line for efx is how does it sound. After a vigorous debate I still don't expect that behringer to be transient perfect.
That may or may not matter for your intended application including where the bandpasses are split. If enough of the transient energy is up in the HP output the sum behavior in the crossover region doesn't much matter.
I would suggest using the adjustable crossover to determine frequencies or perhaps range of frequencies that work well for your desired effect. Then perhaps make something like that one pole derived topology I mentioned earlier in this thread.
If you don't hear a difference with real music, just do whatever is easiest. If you do hear a difference use what sounds best. There is no right or wrong for efx.
JR
That may or may not matter for your intended application including where the bandpasses are split. If enough of the transient energy is up in the HP output the sum behavior in the crossover region doesn't much matter.
I would suggest using the adjustable crossover to determine frequencies or perhaps range of frequencies that work well for your desired effect. Then perhaps make something like that one pole derived topology I mentioned earlier in this thread.
If you don't hear a difference with real music, just do whatever is easiest. If you do hear a difference use what sounds best. There is no right or wrong for efx.
JR