Help fine tuning tube preamp build

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sonolink

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Feb 15, 2010
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Hi guys,

After a very long time (5 years) I finally finished building an AB763 (with a few mods) in a Hammond 1590BB2 enclosure. The initial idea was to use it for bass (like an Alembic F2B) but I tried it with a guitar and it sounds really good when plugged into a power amp. I also tried it as a preamp/overdrive/distortion pedal putting it in front of an amp and it also sounds great BUT a bit too thin, especially when cranking up the gain. All this is WITHOUT engaging the clipping diodes. I'm leaving these out of the equation until sorting the sound out.
I guess this thinness probably happens because the original circuit is meant to be before a power amp, not another preamp.
So my question is: is it possible (and a good idea) to add a switch that would add components in the signal path to fix that, like having a "preamp" position to use it in front of a power amp and a "distortion" position to use it in front of a preamp? If so, how would I achieve that, please?
I hope all this makes some sense :)

This is the schematic of my build.

w.jpg

Thanks for your time and help
Cheers
Sono
 
The output impedance at mid(ish) gain on the master is pretty high, so the sound may change due to the nature of the type of input this preamp is driving. A typical long tail pair (LTP) power amp stage has a high(er) input impedance so it works out.

It's also interesting that you have a split plate resistor on the second triode, but still have 20% reduction built in between the 220K and the master volume. You could make R9 a bit bigger, and R8 a bit smaller (like 20K/80K), then you get the same effect but don't need the 220K resistor in series. When used as a preamp, possibly driving other unknown "stuff", you might consider adding a solid state follower to reduce the output impedance to a few hundred ohms, which also won't negatively impact driving power amps.

Also, R11 should be after the 1M input resistor, directly in series with the first tube, then you don't need R12.
 
Thanks for your reply Matador :)

It's also interesting that you have a split plate resistor on the second triode, but still have 20% reduction built in between the 220K and the master volume. You could make R9 a bit bigger, and R8 a bit smaller (like 20K/80K), then you get the same effect but don't need the 220K resistor in series.
I'll try that to see if the fizzy thing goes away :)

When used as a preamp, possibly driving other unknown "stuff", you might consider adding a solid state follower to reduce the output impedance to a few hundred ohms, which also won't negatively impact driving power amps.

What do you mean by "solid state follower"? Something like an opamp stage or something like that?

Also, R11 should be after the 1M input resistor, directly in series with the first tube, then you don't need R12.
So I can just delete R13, right?

Thanks a lot for your time and help :)
Cheers
Sono
 
I had the same problem with thin tone, figured it was the hi z output so I stuck a little Neve cored xfmr and was happy, capacitor input so no dc so the nickel would not freak out, don't need a huge turns ratio, 4 to 1 is fine, levels were fairly low so not a ton if turns needed to reduce Bmax
 
I had the same problem with thin tone, figured it was the hi z output so I stuck a little Neve cored xfmr and was happy, capacitor input so no dc so the nickel would not freak out, don't need a huge turns ratio, 4 to 1 is fine, levels were fairly low so not a ton if turns needed to reduce Bmax

Thanks for the input CJ,
I tried looking for xfmrs 4:1 and can't seems to find any really small ones online...


Thanks for the link, Matador,
Would I implement that idea like so?

w1.jpg

If so, what would R1 value be please?

BTW, I've changed the values of the split resistor as you suggested and taken the 220K out and the pedal sounds much better :)
I'm still curious about that solid state follower you linked ;)

Thanks again for your help
Cheers
Sono
 
Last edited:
If you assume 1mA through the tube, you'll drop 80V across the 80K, leaving 250-80=170V on the gate of the FET. If on, you'll drop 1 threshold voltage (say 5V) leaving ~175V on the source. So for 1mA through the FET, R1 = 175V / 1mA = 175K for R1 as a starting point.
 
I also
How can I determine how many amps go through the tube?
Easiest way is to measure the cathode voltage of 'B' (where C10 and R15 meet), then divide by the cathode resistance. So 1.5V on the cathode is 1mA through the tube (and a typical value).

Also, I forgot that you probably need a Zener across the gate/source of the MOSFET to protect the gate during power up. It should be rated for a bit lower than the max VGS spec of the MOSFET. For example, an IRF820 specifies a max of 20V, so a 12-15V Zener works.
 
Also, I forgot that you probably need a Zener across the gate/source of the MOSFET to protect the gate during power up. It should be rated for a bit lower than the max VGS spec of the MOSFET. For example, an IRF820 specifies a max of 20V, so a 12-15V Zener works.

Like so?

w.jpg

Cheers
Sono
 
Hi again :)

When used as a preamp, possibly driving other unknown "stuff", you might consider adding a solid state follower to reduce the output impedance to a few hundred ohms, which also won't negatively impact driving power amps.


Out of curiosity, wouldn't this work too?

PK79-LowImpOut.jpg


Thanks for your time and help :)
Cheers
Sono
 
As wired, the second triode provides no gain, and if fact provides a net loss at the cathode. Given the loss in the tone stack, the entire combination is likely less than unity gain (and thus no longer a preamp). I would first try to use the second triode as a true follower, with R15 at 100K and R8 shorted. That might be at least close to unity gain.
 
Thanks for your reply Matador. I think I'll go with your Mosfet suggestion.
It's just that I read that somewhere where someone was helping someone else with a similar problem (although a different PS) and it seemed to make sense the way the guy explained it:

Captura de pantalla 2024-05-14 a las 22.02.21.png


I was just curious to know your opinion :)
Cheers
Sono
 
Thanks for your reply Matador. I think I'll go with your Mosfet suggestion.
It's just that I read that somewhere where someone was helping someone else with a similar problem (although a different PS) and it seemed to make sense the way the guy explained it:

View attachment 128823


I was just curious to know your opinion :)
Cheers
Sono
It could work like this, maybe it would work even better with an ECC832 / 12DW7. The cathode follower would then be comparable to a 12AU7/ECC82 and could also feed an (low step down) OP transformer or a low impedance input from a vintage compressor directly?
 
It could work like this, maybe it would work even better with an ECC832 / 12DW7. The cathode follower would then be comparable to a 12AU7/ECC82 and could also feed an (low step down) OP transformer or a low impedance input from a vintage compressor directly?

Thanks for your reply :)
The idea is to be able to use it in front of an amp with good sound (before a power amp it already sounds great).

On that same thread I quoted before, there's this comment about the huge output this thing has :

Range: gain of 1 to gain of 20.

This is lower than I thought, and IMHO rather low for most external preamps into a bare power-amp; yet high for inserting in many lower-level paths. [...] VOL full up, the gain from input through first stage and nominal tone knobs is around 50 * 1/10 or about 5. Adjustable downward with VOL. That sounds like a good fit to go to the TE's Effects Return. But the VOL pot wiper impedance is high, wants buffering. Make the second stage a cathode follower.

But the original is well-loved and uses both triodes as gain stages. [...] Gain-tonestack-gain will give voltage gain of 135 to 250. This sure appears to be 12 times more than we could want. These stages are designed around 220K loading. If we follow the 2nd stage with a 200K:20K divider, we get nominal loading, reasonable max gain, and reasonable low output Z. If we round this to 220K fixed and a 25K Master pot, loading is still ballpark, max gain is 13 to 25. With audio-taper Master pot, almost any lower gain (to somewhat under unity) is on tap. In first use, set VOL high, set MAST for really-loud, mark it, then use VOL for song-to-song gain changes.

Is he saying to just use an A25k pot as Master after R16 on my initial schematic, and according to him that would work fine to tame the beast?

Thanks a lot for your comments and suggestions
Cheers
Sono
 
Ok, so following Matador's advice I came up with this schematic using an IRF740 as a cathode follower. Any ideas, comments, suggestions before I melt some solder?

PK79 + SSCF740.jpg

Thanks a lot for your time and help :)
Cheers
Sono
 
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