[quote author="dripelectronics"]this is gonna be fun ,
credit is due to cj :thumb:
ill start posting the results and research as things come togeather
over the next week or so ,
in the mean time i have probably 300 photocells just staring at me.
what will be an interesting side project is expirimenting
with cells with faster and slower attack times.
i doubt ua had anything to do with the t4 buy out ,
youll probaly start seeing these hit ebay or something ,
i saw one the other day for 150$ in a box from jbl.
any ways their research probably yields a better more consistant t4 then urei.
http://uaudio.com/webzine/2003/july/index4.html
matching the cells is no so important , it's just getting the one cell
used for the actual gain reduction to have proper specs.
as for the cell wich is used for reduction metering , i find
plus or minus 10% ok w me , there is after all a matching
resistor AKA R25 and is usually a 33k.
[quote author="gyraf"]There's little or no reason to use a matched second-cell for the GR meter - after all, how important is exactly-precise GR-metering? Just use any LDR that makes decent results, and use your matched cells for stereo operation..
Jakob E.[/quote]
ill have to explore the matching resistor concepts a little ,
but Djahsen's la2 book has a page dedicated to the matching resistor.
(cant believe i still refer to that book , especially since i memorized
the la-2a and can build one with out a diagram,...lol)
the urei t4b matching resistor from JBL are always a 33k , at least all the ones i recieved.
like i said , lot's of kinks to work out , but i hope in the next weeks
this all will be solved.
thanks for the input ,
g,[/quote]
I'm pretty sure the buy-out was perpetrated by a company called Studio Electronics. I bought a unit from them off Ebay and it's the real thing. I see their auctions fairly frequently for T4Bs.
As for the matching resistor, just use a 50k pot instead, and tweak the pot as needed. In the units I built using the Sifam AL39WF "VU" meter (the quotes around VU are because this meter doesn't have true VU ballistics), I could only get within about +/- 1 dB across the whole range. I adjusted the pot so that the meter was dead on at 6 dB gain reduction, because that suited my mixing style best.
I've found that an accurate meter is better than an approximation, especially when trying to just take the edge off a vocal by barely compressing it.